9. Desert Treats

Sep-30-2011 | Comments (0)

Bird’s Eye: No, not a misspelling: desert. We start with the Tuareg, a desert culture sliced up like dessert, and given to different countries. Then a song by Tinariwen, the world-renowned Taureg musicians (their new album is just out), a photo feature on sand dunes, and your chance to see the Dead Sea Scrolls, up close and personal.

* The Sahara’s Tuareg National Geographic Magazine

* Mataraden Anexan Tinariwen youtube

* The Most Beautiful Sand Dunes on Earth Environmental Graffiti

* Dead Sea Scrolls Online The Presurfer

Two thousand years after they were written and decades after they were found in desert caves, some of the world-famous Dead Sea Scrolls went online for the first time in a project launched by Israel’s national museum and web giant Google. Images of several Dead Sea Scrolls are now available allowing users to examine and explore these ancient manuscripts at a level of detail never before possible. The high resolution photographs, taken by Ardon Bar-Hama, are up to 1,200 megapixels, almost 200 times more than the average consumer camera, so viewers can see even the most minute details in the parchment.



9. Making Music without Instruments

Sep-23-2011 | Comments (0)

Bird’s Eye: I suppose it’s impossible to make music without instruments, since whatever produces the sounds is your instrument, even if it is the inside of a dry-cleaning shop, or a ruined old piano, or the streets of Manhattan, as a flashback to David Van Tieghem reminds us. Relax, and enjoy. But don’t show these videos to young children if you don’t want them drumming up a storm in your house.

* Musician “Plays” A Dry Cleaning Shop As Instrument Boing Boing

* DiegoStocco – Bassoforte YouTube

* David Van Tieghem’s Ear To The Ground Boing Boing



9. Flash From the Past

Sep-16-2011 | Comments (0)

Bird’s Eye: Some oldies, but. We start with a Walt Disney/ Salvador Dali collaborative film, which looks unsurprisingly like an animated Dali painting. We followup with a link to the top 100 songs of 1968, all on Youtube. From #1 (Hey Jude) to #100 (Take A Little Piece of My Heart) there was a lot of good music then, and here’s your chance to rehear it. And we wind up with Buddy Guy just killing “Champagne and Reefer” before a hugely enthusiastic Carnegie Hall audience. Some British band plays and sings mostly competent background. Filmed by Michael Scorcese.

* Disney cartoon of Salvador Dali – YouTube

* 1968 Top 100 - YouTube via J-Walk

* Champagne and Reefer Youtube



9. Musical Amazement

Aug-26-2011 | Comments (0)

Bird’s Eye: Three pieces: the first is the Japanese pop smash PONPONPON, which is like nothing you’ve ever seen. Actually, it’s a lot weirder than almost anything you haven’t seen. Good luck. Then it’s the Cookie Monster, singing Tom Waits’ “God’s Away on Business”. And we flashback to 1966, with the Yardbirds (the Beck, Page, McCarty, Relf version) performing “Stroll On” in Antonioni’s “Blow Up”. One of my two favourite scenes from that film….

* PONPONPON

* God’s Away on Business

* Stroll On



2. The US in Decline

Jun-03-2011 | Comments (2)

Bird’s Eye: As Randy Newman sang about the US, “The end of an empire is messy at best/ This empire is ending, like all the rest.” Some supporting evidence backs up that mordant assessment. Those of us who hoped that Obama would be the anti-Bush are finding it increasingly hard to hold that view given the facts, which are presented with more footnotes than you’ll ever need, via Reddit. The image that the US is a country run by laws and the Constitution is equally problematic, and in the Middle East people are arguing that the US is not just wrong on certain issues, but irrelevant.

* MorganSloat comments on Bush vs Obama Reddit

Obama is not all that different than Bush. Has the drug war ended? Did the idea of czars go away? Sure Obama has fewer czars than Bush – but their entire point is to bypass Congress and to shift more unchecked power into the executive branch. Obama’s take on Iraq is MORE right wing than Bush’s – he privatized the fucking thing. We’re still in Afghanistan & now in Libya. While Libya was handled far more responsibly than Iraq – let’s get real. The reason we’re helping these rebels & not other rebels, is because Libya has oil and Libya isn’t a powerful ally of ours.

Guantanamo is still open.. He’s blocked UN Human Rights investigations into Guantanamo. He dropped charges against the CIA for destroying videotapes documenting torture of detainees. Obama has protected the Bush administration from prosecution for torture. He has lobbyists in his administration. He, at Biden’s influence no doubt, has stacked the DOJ with RIAA lawyers..

He authorized the assassination of U.S. citizens abroad.. He rescinded on his promise to not prosecute marijuana users in states where it is legal, & pushed for a 5 year prison term for a California-legal medical marijuana dispensary operator.. He prosecuted child-soldier Omar Khadr using evidence gained through torture.….

* Welcome to Post-Legal America TomDispatch.com via Reddit

Is the Libyan war legal?  Was Bin Laden’s killing legal?  Is it legal for the president of the United States to target an American citizen for assassination?  Were those “enhanced interrogation techniques” legal? These are all questions raised in recent weeks.  Each seems to call out for debate, for answers.  Or does it?

…My answer is this: they are irrelevant.  Think of them as twentieth-century questions that don’t begin to come to grips with twenty-first century American realities.  In fact, think of them, and the very idea of a nation based on the rule of law, as a reflection of nostalgia for, or sentimentality about, a long-lost republic.  At least in terms of what used to be called “foreign policy,” and more recently “national security,” the United States is now a post-legal society.  (And you could certainly include in this mix the too-big-to-jail financial and corporate elite.)

* Who cares in the Middle East what Obama says? Robert Fisk The Independent (Thanks Gabe!)

This month, in the Middle East, has seen the unmaking of the President of the United States…. While Barack Obama and Benjamin Netanyahu played out their farce in Washington – Obama grovelling as usual – the Arabs got on with the serious business of changing their world, demonstrating and fighting and dying for freedoms they have never possessed. Obama waffled on about change in the Middle East – and about America’s new role in the region. It was pathetic. “What is this ‘role’ thing?” an Egyptian friend asked me at the weekend. “Do they still believe we care about what they think?”

* Our revolt is not Obama’s Ahdaf Soueif The Guardian

In the end, our revolutions are not by or for or about the US. We in Tunisia and Egypt, and soon in Libya, Syria, Yemen, are looking for ways to run our countries to the benefit of our people and the world. We see that democracy is a necessary, but not sufficient, condition. “Democratic” systems are failing their people, in Britain, in India, in the US, as millions fall into poverty, banks take precedence over hospitals and universities, the environment is degraded and the fabric of society frayed, the media are compromised, and politico-business scandals are standard entertainment.

The world needs better; and that’s what we’re working for.



10. Fighting the Power

May-27-2011 | Comments (0)

Bird’s Eye: A salute to those who stand up to speak truth to power, whether they’re in the streets, the recording studios or getting their car booted.

* A Defiant ‘Spanish Revolution’ Alan Taylor – In Focus – The Atlantic

* LupeFiasco  and “Words I Never Said”

‘Solzhenitsyn put it very quaintly,” says Lupe Fiasco. “Basically, there’s a duality in everything – there’s two sides to every story. Sometimes they complement each other, and sometimes they conflict.” Exploring and exploding contradictions is second nature to Wasalu Muhammad Jaco – and while it’s unusual to come across a pop star citing Soviet dissident authors, it’s the sort of thing the 29-year-old’s fans have come to expect. A relatively late convert to rap who dismissed it as sexist rubbish and preferred jazz as a kid; a devout Muslim who writes lyrics saying Palestinians have pushed moderate Israelis too far; a black Chicago native very much on the political left who refused to shake Barack Obama’s hand on the night he was elected president – Lupe Fiasco knows duality better than most.

See his “Words I Never Said” video and if  you need help with the lyrics

“And these the same people that supposed to be telling us the truth?

Limbaugh is a racist, Glenn Beck is a racist

Gaza strip was getting bombed, Obama didn’t say shit

Thats why I aint vote for him…”

* May Day 2011 - The Big Picture – Boston.com

* Why I love Glasgow



8. Humpbacks

May-13-2011 | Comments (0)

Bird’s Eye: We start with a picture, then discover that the desire to be a pop star is something we share with humpback whales, as an amazing study about the culture of these fellow mammals reveals. We end with some samples, but whether these are the hits or the misses you’ll have to decide for yourself.

* Humpback Whale in Flight Eyewitness The Guardian

* Humpback Whales Spread Catchy Tunes To Each Other, Study Reveals guardian.co.uk

Humpback whales spread catchy songs to each other through the ocean, research has shown. Male whales whistle mating tunes that either prove a hit or miss. Catchy “remix” versions of the songs quickly spread across the ocean, almost always travelling east to west, scientists have found. Usually the songs are made up of blended old and new material. But sometimes a song is judged to be a failure and dropped altogether, making way for a new tune.

Researcher Ellen Garland, from the University of Queensland inAustralia, said: “Our findings reveal cultural change on a vast scale.”She said popular songs moved like “cultural ripples from one population to another”, causing all the males to start singing the new version.

* Listen to Whale Songs Ocean Mammal Institute

These are actual recordings of humpback whales in the ocean. Four samples are available for your listening pleasure. Hearing a humpback whale song is definitely a unique experience that you won’t want to miss if you’re interested in learning about these wondrous creatures.



10. Music: Collaborations

May-13-2011 | Comments (0)

Bird’s Eye: Three collaborations posted on Youtube for your listening and visual enjoyment. Graffiti star Shepard Fairey (Exit Through the Gift Shop) creates visuals to the new Death Cab for Cutie song; Paul Simon invites a woman on stage last week in Toronto to sing Duncan, in a surprisingly moving pairing; and guitar gods Ry Cooder and David Lindley play off each other in Jesus on the Mainline.

* Home Is A Fire Shepard Fairey and Death Cab for Cutie Boing Boing

Boing Boing is thrilled to feature the premier of Death Cab For Cutie’s “Home Is A Fire” music video, by artist Shepard Fairey and Death Cab bassist Nicholas Harmer. Shepard Fairey:”…I love the democracy of music and I’m always excited to bundle visual art with great music. Nick sent me the lyrics to Home Is A Fire and they evoked the duality of “home” both as a place you inhabit, and also as a place that inhabits or traps you. One’s relationship with home might be complicated, but ultimately it can be a two-way dialogue, of which we can at least affect one-way.”

* Woman wows Paul Simon audience CBC News

An eastern Newfoundland woman delivered after Paul Simon invited her to play and sing at a concert in Toronto Saturday. Kelligrews native Rayna Ford called out to the legendary singer-songwriter to play the song Duncan – saying it was the first song she learned to play on guitar.

He heard her, and motioned for her to step on the stage and play it. An astonished Ford took him up on his offer…..“I recall at the last part of it, I got quite nervous and was still looking at him and then he came and whispered, ‘E minor’ because I missed a chord. He was just great,” she said.

* Jesus On The Mainline Ry Cooder and David Lindley



5. All the Music Ever

Apr-29-2011 | Comments (1)

Bird’s Eye: What does it mean that all the music ever is now available? That’s the question that Bill Wyman (no relation) explores, and it segues into three classic old songs: a very live Little Village (arguably the greatest supergroup ever); Stealer’s Wheel doing the last great pop hit written by Leiber and Stoller, and Joni Mitchell, as she once was. All on video for your greater enjoyment.

* Lester Bangs’ Basement: What It Means To Have All Music Instantly Available. Bill Wyman Slate Magazine

Lester Bangs, the late, great early-rock critic, once said he dreamed of having a basement with every album ever released in it. That’s a fantasy shared by many music fans—and, mutatis mutandi, film buffs as well…. Recently, though, there are indications of something even more enticing, almost paradisiacal, something that might have made Bangs put down the cough syrup and sit up straight: that almost everything is available.

Music and movie fans of a certain age and a certain bent have strong visceral responses to this issue of availability. We grew up in an age of excited, roiling change in the music and film worlds, but the vicissitudes of the technologies and industries involved made the logistics of merely keeping up—much less being an expert—a time-consuming, expensive, and sometimes impossible chore.

Fast forward a few decades, and we’re approaching a singularity of sorts—one in which the digital convergence, in a gradual warm flash, is nearly complete. If you were born to this it’s an unshakeable, seemingly permanent feature of the world. The rest of us marvel that a significant part of everything out there that should be digitized and made available has. And once it’s out there, getting your hands on it is a fairly simple process. The concept of “rarity” has become obsolete…. Does the end of rarity change in any fundamental way, our understanding of, attraction to, or enjoyment of pop culture and high art?

* Little Village – Don’t Bug Me When I’m Working (via POGGE)

* Stealer’s Wheel – Stuck In the Middle with You (via J-Walk)

* Joni Mitchell: Big Yellow Taxi (via J-Walk)



12. Quote of the Week

Apr-29-2011 | Comments (0)

“Work like you were living in the early days of a better nation.” Oysterband



9. Play: The Best Medicine

Mar-25-2011 | Comments (0)

Bird’s Eye: As schools move from fosterers of creativity to factories for knowledge acquisition, there is increasing evidence that that process is wrong, and that exploratory play and the arts boosts the ability to learn far more than rote memorization. We offer some statistical proof from Wired, and some anecdotal proof from Mickey Hart and Kurt Vonnegut

* The Virtues Of Play Wired

This lawsuit would be funnier if it were an article from the Onion:

A mad-as-heck Manhattan mom says her daughter’s Ivy League dreams have been all but dashed — and she’s only 4 years old. Nicole Imprescia is suing the $19,000-a-year York Avenue Preschool, saying her daughter, Lucia, was forced to spend too much time with lesser-minded 2- and 3-year-olds when she should have been focusing on test preparation to get into an elite elementary school.

The suit, filed in Manhattan Supreme Court, notes that “getting a child into the Ivy League starts in nursery school” and says the Upper East Side school promised Imprescia it would “prepare her daughter for the ERB, an exam required for admission into nearly all the elite private elementary schools.” But “it became obvious [those] promises were a complete fraud,” the suit says. “Indeed, the school proved not to be a school at all but just one big playroom.“

The irony is that, according to the data, Ms. Imprescia should be looking for schools just like the one she’s suing: Preschools seem to work best when they are ”one big playroom.” That’s because unstructured play turns out to be one of the most important aspects of Pre-K education. A 2007 study published in Science, for instance, compared the cognitive development of 4- and 5-year-olds enrolled in a preschool that emphasized unstructured play – they were using Vygotsky’s “Tools of the Mind” approach – with those in a more typical preschool. After two years, the students in the play-based school scored better on cognitive flexibility, self-control, and working memory, all of which have been consistently linked to academic and real-world achievement.

* There’s a Fire on the Mountain Mickey Hart:

Neuroscientists also have shown that the brain is hardwired for music, innovation and creativity, all other human activities follow. No human culture known to historians or anthropologists has ever existed without music and dance. The arts are a necessity for insight: the arts make us human.The energy that you acquire from art and music turns inspiration into invention. This allows an inventor to dream up something never envisioned before and creates new industries and good-paying jobs.

I don’t propose to simply add art or music classes to the schedule. I mean making the arts a key variable in the STEM equation. Art sparks creativity and instills a sense of wonder and discovery without which learning often winds up being nothing more than rote memorization. Instead of teaching our kids to memorize well, we should be teaching them to think for themselves and to apply their imaginations. We need to fill their heads with more than just facts if they are going to compete in the global economy that is a knowledge economy. Creative thinking is what is needed to, in President Obama’s words, “out-innovate” and “out-educate” the rest of the world. It’s creativity that links education and innovation by taking what is learned in the classroom and using it to make something new.

Art in the classroom not only spurs creativity, it also inspires learning. More organizations concerned with the state of science education in this country are beginning to embrace this idea. The National Academy of Sciences, for example, is reaching out to the artistic community through its Science & Entertainment Exchange, which matches scientists with filmmakers to more accurately portray science — and scientists — on screen. It also encourages collaborations between teachers and creative figures in the entertainment industry, including video-game designers, to develop tools to stimulate learning.

*Kurt Vonnegut goes to buy an envelope. Profundity ensues. – garry’s posterous

[When Vonnegut tells his wife he’s going out to buy an envelope] Oh, she says, well, you’re not a poor man. You know, why don’t you go online and buy a hundred envelopes and put them in the closet? And so I pretend not to hear her. And go out to get an envelope because I’m going to have a hell of a good time in the process of buying one envelope….



8. Music

Mar-18-2011 | Comments (0)

Bird’s Eye: Something old (an early protest song “Strange Fruit”, and an article about Billie Holiday); something new (a self-programmable cloud of music); something borrowed (an old Beach Boys song, minus music, so you can really hear the harmonies); something blue (Moby, on record labels.)

* Strange Fruit Billie Holiday (song: youtube)

* Written celebration of the Song The Guardian

And then it happens. The house lights go down, leaving Holiday illuminated by the hard, white beam of a single spotlight. She begins her final number.

“Southern trees bear a strange fruit.” This, you think, isn’t your usual lovey-dovey stuff. “Blood on the leaves and blood at the root.” What is this? “Black bodies swinging in the Southern breeze.” Lynching? It’s a song about lynching? The chatter from the tables dries up. Every eye in the room is on the singer, every ear on the song. After the last word – a long, abruptly severed cry of “crop” – the whole room snaps to black. When the house lights go up, she’s gone.

Do you applaud, awed by the courage and intensity of the performance, stunned by the grisly poetry of the lyrics, sensing history moving through the room? Or do you shift awkwardly in your seat, shudder at the strange vibrations in the air, and think to yourself: call this entertainment? This is the question that will throb at the heart of the vexed relationship between politics and pop for decades to come, and this is the first time it has demanded to be asked.

* Musicovery (Thanks, Linda!)

I can’t explain this. Just go and play with it.

* Beach Boys Wouldn’t It be Nice Vocals only

* Moby: ‘Major Labels Should Just Die’ The Hollywood Reporter

“There was a time when the music business was incredibly monolithic and there were only two ways to get your music heard: sign to a major label, get your music played on MTV and get it played by big radio stations,” Moby continued. “Thank God, that period has come to an end… Signing to a major, for 99.9% of the musicians on the planet, is the worst thing they could do… They’ve treated musicians badly. They’ve treated fans badly. They’ve treated the music badly, most importantly. For that reason, they either need to reinvent themselves or die quietly.”



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