Bird’s-Eye: Everyone wants protection, but from what? The EFF wants protection from Facebook Intrusion, while the Music Industry wants protection from pirating, (and has some remarkable bedfellows in mind). Meanwhile a rogue Muslim website (or is it a false flag operation by right-wing Israelis?) wants protection from South Park, while the Times wants protection from the powers of the rogue website. You can’t tell the players without a guideline, and that’s where we come in.

* Facebook’s Evil Interfaces Electronic Frontier Foundation

OK, perhaps the word “evil” is a little strong. There’s no doubt that bad user-interfaces can come from good intentions. Design is difficult, and accidents do happen. But when an accident coincidentally bolsters a company’s business model at the expense of its users’ rights, it begins to look suspicious. And when similar accidents happen over and over again in the same company, around the same issues, it’s more than just coincidence. It’s a sign something’s seriously wrong.

* Music Industry Spokesman Loves Child Porn Cory Doctorow boingboing

A music-industry speaker at an American Chamber of Commerce event in Stockholm waxed enthusiastic about child porn, because it serves as the perfect excuse for network censorship, and once you’ve got a child-porn filter, you can censor anything:

“Child pornography is great,” the speaker at the podium declared enthusiastically. “It is great because politicians understand child pornography. By playing that card, we can get them to act, and start blocking sites. And once they have done that, we can get them to start blocking file sharing sites”.

* South Park New York Times

Across 14 on-air years, there’s no icon “South Park” hasn’t trampled, no vein of shock-comedy (sexual, scatalogical, blasphemous) it hasn’t mined. In a less jaded era, its creators would have been the rightful heirs of Oscar Wilde or Lenny Bruce — taking frequent risks to fillet the culture’s sacred cows.

In ours, though, even Parker’s and Stone’s wildest outrages often just blur into the scenery. In a country where the latest hit movie, “Kick-Ass,” features an 11-year-old girl spitting obscenities and gutting bad guys while dressed in pedophile-bait outfits, there isn’t much room for real transgression. Our culture has few taboos that can’t be violated, and our establishment has largely given up on setting standards in the first place.

Except where Islam is concerned. There, the standards are established under threat of violence, and accepted out of a mix of self-preservation and self-loathing. This is what decadence looks like: a frantic coarseness that “bravely” trashes its own values and traditions, and then knuckles under swiftly to totalitarianism and brute force.